Karine’s powerful, poetic and dramatic cultural statement in respect of the Trump presidency.

Filmed live by the BBC at the opening concert of Celtic Connections Festival in Glasgow, it was performed with the BBC Scottish Symphony Orchestra as a prelude to Karine's song “Cover Your Eyes” which was used in the award-winning documentary 'You’ve Been Trumped' about the construction of a luxury golf course on a beach in Balmedie, Aberdeenshire, and Trump’s shocking treatment of a Scottish family and his attempts to force them off their land. 

KARINE POLWART: In performance with BBC Scottish Symphony Orchestra for Celtic Connections, Thursday 19th January 2017 

On May 11th 1930, Mary Anne Macleod, from Tong on The Isle of Lewis, boarded the RMS Transylvania from Glasgow to New York City, in search of a better life. There, she fell in love with Frederick, whose father had come to America from Germany as a 16 year old barber. 

The couple raised five children. 

Mary Anne’s middle son would return years later to Scotland, home of his MacLeod ancestors, whose clan motto is: I burn but I am not consumed.  And here - in the name of progress and profit - and executive golf - he would pit himself against time and tide. In his wake, the shifting sands at Balmedie in Aberdeenshire would never be the same. 

That son of Mary Anne MacLeod is powerful. 

So too is The North Sea. 

The marbled, metamorphic rock of Lewis is two-thirds the age of Earth - amongst the very oldest found on our planet. It knows about power. It’s seen a lot. And so I wondered: what might that rock of Lewis have to say about the Inauguration - tomorrow in Washington DC - of the 45th President of the United States of America - Mary Anne’s middle son? This is what the rock told me. 

Oh son of Lewis, lonely boy, 

hewn from granite, salt and sky 

upon a foreign shore: 

the ocean is a mirror gleam 

in which you see yourself, 

and nothing more. 


Three billion years of gravity, 

of strata forged in fire and earth, 

the stone crib of your mother’s birth, 

in which your forebears lie. 

I am alive. I am a tomb. 

I burn, but I am not consumed. 

I burn, but I am not consumed. 


Fish may swim at your command 

across The Atlantic to the land 

of dreams and self belief and boundless chance. 

An exile tale. An immigrant dance. 

You’re captain of a frigate now, 

So set your compass, raise the mast, 

Blow up the sails, 

Erase the past, and future, if you must. 

Together we can stand 

and watch the peat-land turn to dust. 


This is your apprenticeship: 

The Gulf Stream doesn’t know your name, 

nor does the splendid, blazing sun 

that alters how the currents run. 

The North wind never heard you roar: 

You’re fired! You’re fired! 

My back might burn, the blaze run wild, 

but I am not consumed, my child. 


The Minch whips up a spindrift storm. 

The machair shifts. The machair moans. 

At Uig Bay and Luskentyre, 

the gale blows fast, the tide flows higher. 

The shore erodes and disappears. 

And, meantime, you are stoking fears 

and stacking hope into a pyre. 

You strike a match. 


Oh ma bairn, mo leanaibh         

Oh ma bairn, mo leanaibh 


Your mother was a wee girl once, 

who played upon my rocky shore. 

And you, you are broken boy, 

and you want more and more and more. 

You build a tower. You build a wall, 

You live in fear that they might fall. 

You who see nothing but your face 

in the sheen of The Hudson River. 


Oh ma bairn, mo leanaibh 

Oh ma bairn, mo leanaibh 


A balancing is yet to come, 

although by then you may be gone 

and leave a desert to your sons and daughters. 

Still, these waters, they will rise, 

the North Sea haar will cover your eyes, 

despite your appetite for lies. 

your disregard  for truth. 


Three billion years of gravity, 

of strata forged in fire and earth, 

the stone crib of your mother’s birth, 

in which your forebears lie. 

I am alive. I am a tomb. 

I burn, but I am not consumed. 

I burn, but I am not consumed.